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	<title>a dancing star! &#187; music</title>
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	<link>http://www.writing.adancingstar.com</link>
	<description>a life's reading</description>
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		<item>
		<title>He can read!</title>
		<link>http://www.writing.adancingstar.com/2009/he-can-read/</link>
		<comments>http://www.writing.adancingstar.com/2009/he-can-read/#comments</comments>
		<pubDate>Sat, 14 Feb 2009 13:27:52 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[books]]></category>
		<category><![CDATA[critique]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[writing]]></category>
		<category><![CDATA[dubyah]]></category>

		<guid isPermaLink="false">http://writing.adancingstar.com/?p=23</guid>
		<description><![CDATA[This is somewhat dated by blog standards, such as they are, but it struck me as an opportunity not to be missed. Karl Rove, writing in the The Wall Street Journal, reminisces about his friendly &#8220;contest&#8221; with the then-incumbent President of the United States of America. For the final three years of the Dubyah administration, [...]]]></description>
			<content:encoded><![CDATA[<p class="first-child "><span title="T" class="cap"><span>T</span></span>his is somewhat dated by blog standards, such as they are, but it struck me as an opportunity not to be missed.</p>
<p>Karl Rove, writing in the<a href="http://sec.online.wsj.com/article/SB123025595706634689.html"> The Wall Street Journal, </a>reminisces about his friendly &#8220;contest&#8221; with the then-incumbent President of the United States of America. For the final three years of the <em>Dubyah </em>administration, from 2006 to 2008, Messrs. Rove and Bush, Jr. participated in a duel to see who could read more books.</p>
<p>The use of the terms &#8220;read&#8221; and <em>Dubyah </em>in the same sentence is surprising; what is shocking is that Dubyah managed to read &#8211; again, I use that term loosely &#8211; 95 books during their first 12 month window. Broken down, the books fall into the following categories:</p>
<ul>
<li>Fiction: 37 titles, including Michael Crichton&#8217;s <em>Next </em>and Vince Flynn&#8217;s <em>Executive Power</em>.</li>
<li>Non-fiction: 58 titles, of whichÂ 
<ul>
<li>
<ul>
<li>History &amp; Biography: 44 titles</li>
<li>Sports: 6 titles</li>
<li>Current Events (&#8220;mostly on the Middle East&#8221;): 8 titles </li>
</ul>
</li>
</ul>
</li>
</ul>
<p>Or, in percentage terms: 38.9% (fiction), 46% (history and biography), less than 8% on issues related to the Middle East. Included in the list of 37 fiction titles are <em>eight</em> &#8220;Travis McGee novels by John D. MacDonald&#8221; <em> </em>(more than works on the Middle East, count &#8216;em!). Apparently, the &#8220;Travis McGee Series&#8221; is famous for it &#8220;having a colour in the title&#8221; (<a href="http://www.mysterylist.com/travis.htm">no kidding</a>).</p>
<p>First, let&#8217;s look at the numbers, the criterion the gentlemen utilised. Ninety-five books over 52 weeks entails reading close to 2 books a week, or a book every 3 and a bit days. That is prolific page turning, especially by someone moonlighting as &#8220;Leader of the Free World&#8221;. Perhaps speed-reading was something the former President developed while at Yale; perhaps the material was no challenge to cerebral capacities. But let&#8217;s leave aside the speculation and ask: What does it mean to participate in a reading contest? Is it meaningful to race through books? Is that what a book is for, to be numbered and consumed &#8211; &#8220;read&#8221;? &#8211; as part of an annual book target? I am sure Rove has never heard ofÂ  Paolo Freire, who wrote in <a href="http://www.thereadinggroup.sg/The%20Act%20of%20Study.pdf">The Act of Study</a> the following:</p>
<blockquote><p>The act of study should not be measured by the number of pages read in one night or the quantity of books read in a semester.</p>
</blockquote>
<p>Numbers and words &#8211; let alone raw data and comprehension &#8211; are no clear equals, and the premise is founded upon <em>incomparables </em>which betray a basic incomprehension. Some things are just unimaginable. It is simply indecent to <em>race </em>in reading.</p>
<blockquote><p>[...] In a critical vision, things happen differently. [...] To study is not to consume ideas, but to create and re-create them. <a href="http://www.thereadinggroup.sg/The%20Act%20of%20Study.pdf">(source)</a></p>
</blockquote>
<p>Predictably, &#8220;the competition soon spun out of control&#8221; and <em>Mission: Quantify</em> reached its nadir with the following confession.</p>
<blockquote><p>We kept track not just of books read, but also the number of pages and later the combined size of each book&#8217;s pages &#8212; its &#8220;Total Lateral Area&#8221;</p>
</blockquote>
<p>I&#8217;m sure no-one has yet described this practice as infantile, though it merits such judgement. Think of it: the President of a once proud nation and the President&#8217;s Senior  Advisor measuring &#8230; total &#8230; lateral &#8230; area. It reminds me of when <a href="http://www.sodor-island.net/episodeguide/thegreatdiscovery.html">Thomas the Tank Engine raced against James to the wharf</a>. The <a href="http://ttte.wikia.com/wiki/Thomas_and_James_are_Racing">chorus </a>is marvellous:</p>
<blockquote><p>Thomas and James are racing, racing to the Wharf. Everyone likes to be the first not second, third or fourth! Pistons pumping wildly, boilers fit to burst.  Thereâ€™s something really special for the engine who comes first.</p>
</blockquote>
<p>Rove does not mention why their respective tallies tailed off from 2006 (<em>Dubyah&#8217;s</em> 95 and 110 for Rove) to 51 and 76 (2007), before ending on a complacent 40 and 64 (2008) respectively; nor does he volunteer the composition of succeeding reading years, whether there was a development of themes or return to first principles, or even whether the fictional works were primarily comics or graphic novels. It bears considering that there is no mention of Finance or Economics related titles, nor titles that cover jurisprudence or religion.</p>
<p>Indeed, it appears that <em>Dubya&#8217;s </em>history background remains as his guiding Light. As Richard Cohen observed,</p>
<blockquote><p>The list Rove provides is long, but it is narrow. [...] But [Bush's] books reflect a man who is seeking to learn what he already knows (<a href="http://www.washingtonpost.com/wp-dyn/content/article/2008/12/29/AR2008122901896.html?nav=hcmodule">source: The Washington Post</a>)</p>
</blockquote>
<p>Cohen is brutal in his damming indictment.</p>
<blockquote><p>But the books themselves reveal &#8211; actually, confirm &#8211; something about Bush that maybe Rove did not intend.Â  They are not the reading of a widely read man, but instead the books of a man who seeks &#8211; and sees &#8211; vindication in every page</p>
</blockquote>
<p>While correct, it is neither brutal nor damming enough. Let&#8217;s be clear on one thing: the tomes of history that Bush Jr. revisits and seeks justification from is best described as <em>popular history</em>, hence the appearance of Rick Atkinson on the list, and David King. Hardly the most rigourous. Indeed, viewed from this perspective, the most apposite ridiculing of <em>Dubyah </em>stems from within the very mirror that he has chosen.</p>
<p>Rove concludes that</p>
<blockquote><p>Mr. Bush loves books, learns from them, and is intellectually engaged by them.</p>
</blockquote>
<p>These words ring hollow. This is Alan Brinkley reflecting on Jacob Weisberg&#8217;s <em>The Bush Tragedy</em>:</p>
<blockquote><p>The Bush whom Weisberg skillfully and largely convincingly portrays is a man who has rarely reflected, who has almost never looked back, and who has constructed a self-image of strength, courage and boldness that has little basis in the reality of his life. He is driven less by bold vision than by a desire to get elected (and settle scores), less by real strength than by unfocused ambition, and less by courage than by an almost passive acquiescence in disastrous plans that the people he empowered pursued in his name. (source: <a href="http://www.nytimes.com/2008/03/02/books/review/Brinkley-t.html?_r=1">The New York Times</a>)</p>
</blockquote>
<p>If, as if often observed, the American Presidency is prone to rapid historical revision, Rove&#8217;s hasty Yuletide interjection is but the first salvo in the re-casting of the <em>Dubyah </em>years as &#8211; hold on &#8211; the Renaissance Years, the Golden Age of American Empire where there is <em>only </em>Right and Wrong, where Right is <em>always </em>backed by Absolute Might, where Might only favours Right.</p>
<p>God save America; it needs saving.</p>
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		</item>
		<item>
		<title>Love is &#8230;</title>
		<link>http://www.writing.adancingstar.com/2006/the-posies-in-singapore/</link>
		<comments>http://www.writing.adancingstar.com/2006/the-posies-in-singapore/#comments</comments>
		<pubDate>Fri, 14 Jul 2006 10:05:26 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[music]]></category>
		<category><![CDATA[the posies]]></category>

		<guid isPermaLink="false">http://www.writing.adancingstar.com/index.php/2006/the-posies-in-singapore/</guid>
		<description><![CDATA[You know the old series of cartoons with the boy and girl that led with &#8220;Love is &#8230;&#8221; (They have a site here)? Well, I have an original to contribute. Love is &#8230; remembering that Tom once mentioned The Posies 8 months ago in a meaningless conversation and reminding him that they will be playing [...]]]></description>
			<content:encoded><![CDATA[<p class="first-child "><span title="Y" class="cap"><span>Y</span></span>ou know the old series of cartoons with the boy and girl that led with &#8220;Love is &#8230;&#8221; (They have a site <a href="http://www.comicspage.com/loveis/">here</a>)? Well, I have an original to contribute.</p>
<blockquote><p>Love is &#8230; remembering that Tom once mentioned The Posies 8 months ago in a meaningless conversation and reminding him that they will be playing this Sunday in Singapore.</p></blockquote>
<p>That&#8217;s right, folks, my partner in crime (who sneaks around this site when she&#8217;s bored at work) found out about The Posies&#8217; gig this Sunday at <a href="http://www.baybeats.com.sg/">Bay Beats 2006.</a> How cool is that? All the way from Seattle. Not only that, but Ken Stringfellow will also play 2 solo sets.</p>
<p>This makes up for the diabolical Coldplay concert this past Monday.</p>
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		<item>
		<title>iLike</title>
		<link>http://www.writing.adancingstar.com/2005/ilike/</link>
		<comments>http://www.writing.adancingstar.com/2005/ilike/#comments</comments>
		<pubDate>Tue, 22 Nov 2005 16:47:56 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[cronica]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://writing.adancingstar.com/index.php/2005/ilike/</guid>
		<description><![CDATA[These Elliott Smith-esque days are coming thick and fast. There are many more reasons to detest the ubiqutous iPod than there are seasons in the sun, the least of which is the overturning of conventional punctuation which results in Steve Jobs iCon (sic) biography. The more glaring one is that, for most, for the recent [...]]]></description>
			<content:encoded><![CDATA[<p class="first-child "><span title="T" class="cap"><span>T</span></span>hese <em>Elliott Smith-esque</em> days are coming thick and fast. There are many more reasons to detest the ubiqutous iPod than there are seasons in the sun, the least of which is the overturning of conventional punctuation which results in Steve Jobs <em>iCon</em> (sic) biography. The more glaring one is that, for most, for the recent past, these invariably white units have become synonymous with &#8220;music&#8221;. But what music takes place in the 20cm between one&#8217;s ears? Surely it&#8217;s natural &#8211; and <em>just </em>-  to feel the composition of musical genius below the neck, and not from within.</p>
<p>Music is never private, not in its manner of production and re-production. Public play is its raison d&#8217;être, hence its very distribution. Its pre-birth, the compositional phase, takes place in silence, but this silence is <em>not yet</em> musical. Yet these little machines do nothing less than to challenge natural laws, and instead isolate and atomise us. Man, I&#8217;m so iRate. </p>
<p>Notwithstanding that, this little machine (and its various non-Apple bastard-siblings) has been a boon in one respect. The podcast has brought <em>radio</em> &#8211; of all things &#8211; back to life. The original phenomenon known as radio, which was ever wireless, has always remained relevant: intelligently relevant and freely relevant. Radio&#8217;s bane has been distance, until the advent of the miniature relayer and the internet.</p>
<p>What I love about radio is content. Long before television, that evil black box in the corner, radio, that little gadget that tells the time and also usually simultaneously lullabies you to, and jolts you out of, sleep. Usually, the stuff of radio is music; when it is not, radio survives on reasoned voices. And much of this is available on podcast thanks to the BBC. </p>
<p>The BBC has taken to the digital age in a big way and Radio 4 stoically chugs along with marvellous, marvellous <a href="http://www.bbc.co.uk/radio4/history/inourtime/inourtime.shtml">programmes</a> on asteriods, magnetism, and Pragmatism. Where else would you find a dissection of the finer points of <a href="http://www.bbc.co.uk/radio4/history/inourtime/inourtime_20051110.shtml">Dominican history</a>? Or bring the <a href="http://www.bbc.co.uk/radio4/history/inourtime/inourtime_20051020.shtml">Cynics</a> to life? Mark Kermode&#8217;s weekly Film Review is a gem. Listen to how passionate he becomes. Intelligent and passionate insights into moving pictures. Ironic, then, how the upstart has resuscitated the world&#8217;s first and oldest form of wireless communication. </p>
<p>Alas, a mellow mood prevails. Listening to these reasoned voices engaging in debate on fundamentals only brings to light what is lacking in diabolical Singapore: our most <em> primitive</em> needs are not met. That and a good winter.</p>
<h2>iLike these:</h2>
<p>KCRW&#8217;s selection of podcast programmes are found <a href="http://www.kcrw.com/podcast/">here</a>. Not to forget<br />
<a href="http://www.npr.org/rss/podcast/podcast_directory.php">NPR</a> and <a href="http://www.underheard.org/home.shtml">underHeard.org</a> &#8211; small time, Big Heart.</p>
<p><a href="http://technorati.com/tag/ipod" rel="tag"></a><br />
<a href="http://technorati.com/tag/music" rel="tag"></a><br />
<a href="http://technorati.com/tag/podcast" rel="tag"></a><br />
<a href="http://technorati.com/tag/singapore" rel="tag"></a><br />
<a href="http://technorati.com/tag/philosophy" rel="tag"></a><br />
<a href="http://tomorrow.sg/tag/singapore" rel="tag"></a></p>
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		<item>
		<title>new music?</title>
		<link>http://www.writing.adancingstar.com/2005/new-music/</link>
		<comments>http://www.writing.adancingstar.com/2005/new-music/#comments</comments>
		<pubDate>Tue, 18 Oct 2005 07:25:43 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://writing.adancingstar.com/index.php/nava/2004/index/</guid>
		<description><![CDATA[This month&#8217;s haul of new music had the feel of a &#8220;looking back&#8221;, the look of a nostalgic bent. Big Star&#8217;s return, Posies in tow, &#8220;In Space&#8221; prompted a belated airing of the late Chris Bell&#8217;s &#8220;I Am The Cosmos&#8221;. Maybe the two will mesh to create a cosmic Big Star, a divine reunion of [...]]]></description>
			<content:encoded><![CDATA[<p class="first-child "><span title="T" class="cap"><span>T</span></span>his month&#8217;s haul of new music had the feel of a &#8220;looking back&#8221;, the look of a nostalgic bent.</p>
<p>Big Star&#8217;s return, Posies in tow, &#8220;In Space&#8221; prompted a belated airing of the late Chris Bell&#8217;s &#8220;I Am The Cosmos&#8221;. Maybe the two will mesh to create a cosmic Big Star, a divine reunion of aural majesty? Quite in theme, and with the present and the power pop demographic in mind, we also have Teenage Fanclub&#8217;s &#8220;Man-Made&#8221;. Is this as good as their &#8220;Grand Prix&#8221;? </p>
<p>Continuing this look over our shoulders, this time to the late, great past, are The Reivers&#8217; &#8220;Saturday&#8221; (1987), Material Issue&#8217;s &#8220;International Pop Overthrow&#8221; (1991), The Rooks&#8217; &#8220;Encore Echoes&#8221;; Richard X Heyman&#8217;s &#8220;Basic Glee&#8221;(2002) closes this month&#8217;s collection. </p>
<p>On reflection, there is no &#8220;then&#8221; and &#8220;now&#8221; with good music: they are of an integral whole. Chris Bell&#8217;s posthumous 1979 album and this year&#8217;s releases are separated by numbers designating Christian Time; in our sense of things, in the personal history of music, there is the fullness of a physical extension between points that ridicules the false urgency of temporal measure. Such musicology creates a space of familiarity <em>through</em> dissonance; like my buddy Yudson said:</p>
<blockquote><p>Life is full of distortion</p></blockquote>
<p>It makes sense. Remember when we wore our records and tapes out, and how compact discs appeared in the early 80s as an indestructible god-send? Truth be told, it brought with it a nasty under-belly. These compact discs cut-off frequencies at 20KHz, compared to the typical LP&#8217;s cuts-off at 36KHz. Even though we don&#8217;t actually <em>hear </em>anything above 20KHz, that potential, that spectrum of <em>hidden</em> reserves found in LPs is important; sound cannot be directly expressed as sound in this inaudible zone, but rather finds expression as distortion, dirty noise, so to speak, the non-linguistic hum to our verbose world. That friction, that resistance against which we measure up to, that is why we love it so. </p>
<p>The &#8220;dreamt up&#8221; clarity of the compact disc brought with it a clinical-ness that raged to reduce all to definition. Even this hum.</p>
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		<item>
		<title>question</title>
		<link>http://www.writing.adancingstar.com/2005/so-bad-its-good-80s-disco-song/</link>
		<comments>http://www.writing.adancingstar.com/2005/so-bad-its-good-80s-disco-song/#comments</comments>
		<pubDate>Wed, 12 Oct 2005 23:14:11 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[cronica]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://writing.adancingstar.com/index.php/2005/dumb-book-of-the-week-ii-3/</guid>
		<description><![CDATA[I&#8217;ve been to Paradise but I&#8217;ve never been to me (Charlene) Is this the lyrics of a &#8220;so-bad-its-good&#8221; 80s disco song, or does it question the incongruence between the Good Life and self-reflection, the non-identity of the Divine and subject? addthis_url = 'http%3A%2F%2Fwww.writing.adancingstar.com%2F2005%2Fso-bad-its-good-80s-disco-song%2F'; addthis_title = 'question'; addthis_pub = '';]]></description>
			<content:encoded><![CDATA[<blockquote><p class="first-child "><span title="I" class="cap"><span>I</span></span>&#8217;ve been to Paradise but I&#8217;ve never been to me (Charlene)</p></blockquote>
<p>Is this the lyrics of a &#8220;so-bad-its-good&#8221; 80s disco song, or does it question the incongruence between the Good Life and self-reflection, the non-identity of the Divine and subject?</p>
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		<title>Not so random choices</title>
		<link>http://www.writing.adancingstar.com/2005/not-so-random-choices/</link>
		<comments>http://www.writing.adancingstar.com/2005/not-so-random-choices/#comments</comments>
		<pubDate>Thu, 02 Jun 2005 05:34:43 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://writing.adancingstar.com/index.php/music/2005/not-so-random-choices/</guid>
		<description><![CDATA[Following on from my infatuation with Buffalo Tom comes Bill Janovitz&#8217;s &#8220;Fireworks On TV&#8221;. For old times&#8217; sake, Maria Mckee came &#8220;Peddlin&#8217; Dreams&#8221;: best served moody blue. The three Matthew Sweet-related discs were thoroughly disparate, not surprising given the years that span them. Finally, the way Ryan Adams &#8220;borrow&#8221; from Neil Young and the rest [...]]]></description>
			<content:encoded><![CDATA[<p class="first-child "><span title="F" class="cap"><span>F</span></span>ollowing on from my infatuation with Buffalo Tom comes Bill Janovitz&#8217;s &#8220;Fireworks On TV&#8221;. For old times&#8217; sake, Maria Mckee came &#8220;Peddlin&#8217; Dreams&#8221;: best served moody blue. The three Matthew Sweet-related discs were thoroughly disparate, not surprising given the years that span them. Finally, the way Ryan Adams &#8220;borrow&#8221; from Neil Young and the rest of the 70s makes me wanna &#8230;</p>
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		<title>This week&#8217;s batch of randomly selected music</title>
		<link>http://www.writing.adancingstar.com/2005/this-weeks-batch-of-randomly-selected-music/</link>
		<comments>http://www.writing.adancingstar.com/2005/this-weeks-batch-of-randomly-selected-music/#comments</comments>
		<pubDate>Tue, 29 Mar 2005 01:31:03 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[music]]></category>

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		<description><![CDATA[Joe Strummer &#038; the Mescaleros&#8217; Streetcore offering is a blast: the vibes of &#8220;Midnight Jam&#8221; is as mellow it is surprising. The opener&#8217;s melody stays in your head. Cat Power&#8217;s Moon Pix was a shot at redemption. Elliott Smith&#8217;s eponymous 1995 disc and Either/Or continues the recent burrowing into this guy&#8217;s torrid creativity. John Coltrane&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<p class="first-child "><span title="J" class="cap"><span>J</span></span>oe Strummer &#038; the Mescaleros&#8217; <em>Streetcore</em> offering is a blast: the vibes of &#8220;Midnight Jam&#8221; is as mellow it is surprising. The opener&#8217;s melody stays in your head. Cat Power&#8217;s <em>Moon Pix</em> was a shot at redemption.</p>
<p>Elliott Smith&#8217;s eponymous 1995 disc and <em>Either/Or</em> continues the recent burrowing into this guy&#8217;s torrid creativity. John Coltrane&#8217;s <em>Meditations</em> caps off the evening with a lullaby.</p>
<p>The token &#8220;recent, happening, cool band&#8221; this week is Ambulance LTD and their debut disc. </p>
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		<title>Now listening to</title>
		<link>http://www.writing.adancingstar.com/2005/now-listening-to/</link>
		<comments>http://www.writing.adancingstar.com/2005/now-listening-to/#comments</comments>
		<pubDate>Wed, 12 Jan 2005 09:40:19 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[music]]></category>

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		<description><![CDATA[this week&#8217;s batch of randomly selected music: Buffalo Tom&#8217;s &#8220;Asides&#8221;, Grant Hart&#8217;s undeservedly little known &#8220;Good News For Modern Man&#8221; and The Kropotkins&#8217; &#8220;5 Points Crawl&#8221;. They wouldn&#8217;t sound half as good if you heard them played on MTV. addthis_url = 'http%3A%2F%2Fwww.writing.adancingstar.com%2F2005%2Fnow-listening-to%2F'; addthis_title = 'Now+listening+to'; addthis_pub = '';]]></description>
			<content:encoded><![CDATA[<p>this week&#8217;s batch of randomly selected music: Buffalo Tom&#8217;s &#8220;Asides&#8221;, Grant Hart&#8217;s undeservedly little known &#8220;Good News For Modern Man&#8221; and The Kropotkins&#8217; &#8220;5 Points Crawl&#8221;. They wouldn&#8217;t sound half as good if you heard them played on MTV.</p>
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		<title>Lloyd Cole &amp; the Commotions Rattlesnakes</title>
		<link>http://www.writing.adancingstar.com/2004/lloyd-cole-the-commotions-rattlesnakes/</link>
		<comments>http://www.writing.adancingstar.com/2004/lloyd-cole-the-commotions-rattlesnakes/#comments</comments>
		<pubDate>Wed, 22 Dec 2004 15:29:58 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[music]]></category>

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		<description><![CDATA[Memphis Cat has this classic from 20 years ago (!?) streaming online and guess what: Capitol have released a deluxe edition, with 18 demos and rarities. I actually saw Mr. Cole perform (sans Commotions) in Wolverhampton one autumn evening in 1991. The boy could sing. addthis_url = 'http%3A%2F%2Fwww.writing.adancingstar.com%2F2004%2Flloyd-cole-the-commotions-rattlesnakes%2F'; addthis_title = 'Lloyd+Cole+%26%23038%3B+the+Commotions+%3Cem%3ERattlesnakes%3C%2Fem%3E'; addthis_pub = '';]]></description>
			<content:encoded><![CDATA[<p class="first-child "><a href="http://memphiscat.com/FEATURES.htm"><span title="M" class="cap"><span>M</span></span>emphis Cat</a> has this classic from <em>20 years ago (!?)</em> streaming online and guess what: Capitol have released a <a href="http://www.leonardslair.co.uk/rattlesnakes.htm">deluxe edition</a>, with 18 demos and rarities. I actually saw Mr. Cole  perform (<em>sans</em> Commotions) in Wolverhampton one autumn evening in 1991. The boy could sing.</p>
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		<title>Johnny Thunders &amp; The Heartbreakers</title>
		<link>http://www.writing.adancingstar.com/2004/johnny-thunders-the-heartbreakers/</link>
		<comments>http://www.writing.adancingstar.com/2004/johnny-thunders-the-heartbreakers/#comments</comments>
		<pubDate>Wed, 15 Dec 2004 14:59:15 +0000</pubDate>
		<dc:creator>tom</dc:creator>
				<category><![CDATA[music]]></category>

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		<description><![CDATA[A bootleg (in the truest sense of the word) recording of their September 1982 show in New York&#8217;s &#8220;Peppermint Lounge&#8221;. This is punk at its best: and there is the tender &#8220;You can&#8217;t put your arms around a memory&#8221;. addthis_url = 'http%3A%2F%2Fwww.writing.adancingstar.com%2F2004%2Fjohnny-thunders-the-heartbreakers%2F'; addthis_title = 'Johnny+Thunders+%26%23038%3B+The+Heartbreakers'; addthis_pub = '';]]></description>
			<content:encoded><![CDATA[<p class="first-child "><span title="A" class="cap"><span>A</span></span> bootleg (in the truest sense of the word) recording of their September 1982 show in New York&#8217;s &#8220;Peppermint Lounge&#8221;. This is punk at its best:  and there is the tender &#8220;You can&#8217;t put your arms around a memory&#8221;.</p>
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